Film Directing 127: Day One

Film Directing 127: Day One

Watch your actors like newborn babies

Your first day on set as a director will undoubtedly be memorable.

Every day of film production requires you to have a plan. The question is: can the scheduled work be completed in the allotted time?

Whatever happens, you’ll walk away knowing a lot more about your actors, yourself, and the challenges of directing.

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Film Directing 126: The Director's Playbook

Film Directing 126: The Director's Playbook

Directors need a strong idea for what they’re looking for in every scene

After all the planning, preparation, meetings, auditions, rehearsals, location scouts, etc. – the first day of principle photography is what all the work has been about.

Your script analysis, thumbnail frames, shotlist, schematics, and meetings with your creative keys have helped build the plan for the production.

Pre-thinking performance notes and details are a vital part of the playbook.

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Film Directing 125: The Production Meeting

Film Directing 125: The Production Meeting

Gather round, everybody! We are ready to roll!

The production meeting is a review of all the details and moving parts of the production with all of the people involved in the shoot.

There are different ways to approach the meeting but the goal is always the same: to ensure that all departments and all personnel are in the know and ready to go.

This is a leadership moment for the directing team. Make it count!

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Film Directing 123: Show and Tell Meetings

Film Directing 123: Show and Tell Meetings

Keep production running smoothly with no surprises

Show and Tell meetings bring together the various elements of the images you plan to create. They also help you avoid unwanted surprises during principle photography.

Everyone on the filmmaking team wants to deliver their best work. Clear, concise communication and decisive leadership from the director is a must. Effective show and tell meetings begin with the director. Vagueness and uncertainty are not helpful and will likely lead to delays and disappointments on set.

Get all your ducks (and seahorses) in a row!

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Film Directing 122: The Director's Locations

Film Directing 122: The Director's Locations

Give your locations the kid-glove treatment

The right location can improve the look of your film – but it can also be a production nightmare. Make sure to consider your priorities. Know what you need for your frames to look good and for your shoot to run smoothly.

There are certain amenities and necessities to look for when scouting locations – both interiors and exteriors. If a location looks great but lacks the convenience, space, and facilities – protect the downside. Production slowdowns are one thing. Unhappy coworkers are another.

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Film Directing 121: The Director in Rehearsal

Film Directing 121: The Director in Rehearsal

Treat rehearsal like a fire - Build it slow and sure

If there is time to rehearse with your actors ahead of the shoot, great! But it’s important to know what you want to accomplish.

There's a rhythm to rehearsal. It’s the rhythm of exploration, of discovery. There is much to gain if you know what you’re looking for. Step into the moment with your actors. Engage as they engage. Learn from them. Watch them like newborn babies.

Rehearsals can be the key to building better performances. Stay relaxed and have fun.

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Film Directing 120: The Director-Actor Relationship

Film Directing 120: The Director-Actor Relationship

 Be kind. Be generous. Be specific.

In the book, 21st Century Film Student PRIMER, all students are encouraged to take an acting course or acting workshop so they can better understand what actors do. Why? Because you’ll be a better director.

Memorizing lines, keeping it fresh, staying ‘in the moment,’ and taking direction are tall orders for most people. Once you’ve walked in the actor’s shoes, you can better relate to the process of acting and being directed. 

The craft of directing is an ongoing learning experience.

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Film Directing 119: The Director and Sound Mixer

Film Directing 119: The Director and Sound Mixer

Support your sound team. You’ll never regret it.

The sound mixer has a challenging job. You can help them by paying attention to their situations, listening to their concerns, and coming up with creative solutions.

Many of the challenges for the sound mixer can be remedied by the director. Problem-solving is part of your job.  

Be a champion for good sound! Your audience is listening!

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