Film Directing 126: The Director's Playbook

Film Directing 126: The Director's Playbook

Directors need a strong idea for what they’re looking for in every scene

After all the planning, preparation, meetings, auditions, rehearsals, location scouts, etc. – the first day of principle photography is what all the work has been about.

Your script analysis, thumbnail frames, shotlist, schematics, and meetings with your creative keys have helped build the plan for the production.

Pre-thinking performance notes and details are a vital part of the playbook.

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Film Directing 123: Show and Tell Meetings

Film Directing 123: Show and Tell Meetings

Keep production running smoothly with no surprises

Show and Tell meetings bring together the various elements of the images you plan to create. They also help you avoid unwanted surprises during principle photography.

Everyone on the filmmaking team wants to deliver their best work. Clear, concise communication and decisive leadership from the director is a must. Effective show and tell meetings begin with the director. Vagueness and uncertainty are not helpful and will likely lead to delays and disappointments on set.

Get all your ducks (and seahorses) in a row!

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Film Directing 122: The Director's Locations

Film Directing 122: The Director's Locations

Give your locations the kid-glove treatment

The right location can improve the look of your film – but it can also be a production nightmare. Make sure to consider your priorities. Know what you need for your frames to look good and for your shoot to run smoothly.

There are certain amenities and necessities to look for when scouting locations – both interiors and exteriors. If a location looks great but lacks the convenience, space, and facilities – protect the downside. Production slowdowns are one thing. Unhappy coworkers are another.

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Film Directing 121: The Director in Rehearsal

Film Directing 121: The Director in Rehearsal

Treat rehearsal like a fire - Build it slow and sure

If there is time to rehearse with your actors ahead of the shoot, great! But it’s important to know what you want to accomplish.

There's a rhythm to rehearsal. It’s the rhythm of exploration, of discovery. There is much to gain if you know what you’re looking for. Step into the moment with your actors. Engage as they engage. Learn from them. Watch them like newborn babies.

Rehearsals can be the key to building better performances. Stay relaxed and have fun.

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Film Directing 119: The Director and Sound Mixer

Film Directing 119: The Director and Sound Mixer

Support your sound team. You’ll never regret it.

The sound mixer has a challenging job. You can help them by paying attention to their situations, listening to their concerns, and coming up with creative solutions.

Many of the challenges for the sound mixer can be remedied by the director. Problem-solving is part of your job.  

Be a champion for good sound! Your audience is listening!

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Film Directing 117: The Director's Schedule

Film Directing 117: The Director's Schedule

The schedule runs the engine of production

Films are rarely shot in chronological order. Creating the production plan, crafting an efficient schedule, and deciding on the best order for shooting your film is done with your assistant director.

There are many puzzle pieces to a shooting schedule. Weather forecasts, location access, equipment availability, and actor availability can all create logistical challenges. A well-organized schedule lets you get the work for the day done in the allotted time with strong performances and a sense that everyone is pleased with their efforts.

Take care when building your schedule. It will pay off with a good directing experience.

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Film Directing 116: The Director's Assistant Director

Film Directing 116: The Director's Assistant Director

Treat your Assistant Director like Gold

The first assistant director and their team is the engine that keeps your production running. Treat them like gold. They are worth it!

Your best chance at getting good performances from your actors and having an organized shoot that runs smoothy – on time and on budget – is to have an informed assistant director. Planning and managing all the moving parts of a film production and having everything in the right place at the right time is like a paramilitary operation.

Your show will only be as good as the teamwork and communication between you and your first assistant director. They are your most precious partner – because they make your creative plans come to life.

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Film Directing 114: The Director's Creative Partnerships

Film Directing 114: The Director's Creative Partnerships

Synergy is the goal

Bringing a film to life – and making it good – relies heavily on the script and the director. But the director is not working alone. There are many creative partners who align with the director, and two are of critical importance in pre-production and principle photography – the director of photographer and the production designer.

Working alongside the director, these two creative keys are responsible for crafting the visual images.

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Film Directing 112: The Director's Frame

Film Directing 112: The Director's Frame

Good films need intentional frames

An engaged audience reacts to the director’s choices in every frame. Focus, light, movement, composition, and shot content are factors for every director to consider when constructing a frame.

Ideas for frames grow and multiply through your director’s prep. The writer, John Steinbeck, said it best — 'Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.'

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