Film Directing 126: The Director's Playbook

Film Directing 126: The Director's Playbook

Directors need a strong idea for what they’re looking for in every scene

After all the planning, preparation, meetings, auditions, rehearsals, location scouts, etc. – the first day of principle photography is what all the work has been about.

Your script analysis, thumbnail frames, shotlist, schematics, and meetings with your creative keys have helped build the plan for the production.

Pre-thinking performance notes and details are a vital part of the playbook.

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Film Directing 123: Show and Tell Meetings

Film Directing 123: Show and Tell Meetings

Keep production running smoothly with no surprises

Show and Tell meetings bring together the various elements of the images you plan to create. They also help you avoid unwanted surprises during principle photography.

Everyone on the filmmaking team wants to deliver their best work. Clear, concise communication and decisive leadership from the director is a must. Effective show and tell meetings begin with the director. Vagueness and uncertainty are not helpful and will likely lead to delays and disappointments on set.

Get all your ducks (and seahorses) in a row!

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Film Directing 121: The Director in Rehearsal

Film Directing 121: The Director in Rehearsal

Treat rehearsal like a fire - Build it slow and sure

If there is time to rehearse with your actors ahead of the shoot, great! But it’s important to know what you want to accomplish.

There's a rhythm to rehearsal. It’s the rhythm of exploration, of discovery. There is much to gain if you know what you’re looking for. Step into the moment with your actors. Engage as they engage. Learn from them. Watch them like newborn babies.

Rehearsals can be the key to building better performances. Stay relaxed and have fun.

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Film Directing 120: The Director-Actor Relationship

Film Directing 120: The Director-Actor Relationship

 Be kind. Be generous. Be specific.

In the book, 21st Century Film Student PRIMER, all students are encouraged to take an acting course or acting workshop so they can better understand what actors do. Why? Because you’ll be a better director.

Memorizing lines, keeping it fresh, staying ‘in the moment,’ and taking direction are tall orders for most people. Once you’ve walked in the actor’s shoes, you can better relate to the process of acting and being directed. 

The craft of directing is an ongoing learning experience.

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Film Directing 119: The Director and Sound Mixer

Film Directing 119: The Director and Sound Mixer

Support your sound team. You’ll never regret it.

The sound mixer has a challenging job. You can help them by paying attention to their situations, listening to their concerns, and coming up with creative solutions.

Many of the challenges for the sound mixer can be remedied by the director. Problem-solving is part of your job.  

Be a champion for good sound! Your audience is listening!

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Film Directing 118: The Director and Continuity

Film Directing 118: The Director and Continuity

Embrace continuity and be a better director

When you’re crewing up for camera, lighting, sound, makeup, etc., the role of script continuity can be an afterthought.

I recommend finding someone who wants to do script continuity on every film. It’s an important role in longer form television and feature productions. When you get onto a professional set, they will be beside you for every shot.

Value the support they provide, and you will be a better director.

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Film Directing 117: The Director's Schedule

Film Directing 117: The Director's Schedule

The schedule runs the engine of production

Films are rarely shot in chronological order. Creating the production plan, crafting an efficient schedule, and deciding on the best order for shooting your film is done with your assistant director.

There are many puzzle pieces to a shooting schedule. Weather forecasts, location access, equipment availability, and actor availability can all create logistical challenges. A well-organized schedule lets you get the work for the day done in the allotted time with strong performances and a sense that everyone is pleased with their efforts.

Take care when building your schedule. It will pay off with a good directing experience.

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Film Directing 116: The Director's Assistant Director

Film Directing 116: The Director's Assistant Director

Treat your Assistant Director like Gold

The first assistant director and their team is the engine that keeps your production running. Treat them like gold. They are worth it!

Your best chance at getting good performances from your actors and having an organized shoot that runs smoothy – on time and on budget – is to have an informed assistant director. Planning and managing all the moving parts of a film production and having everything in the right place at the right time is like a paramilitary operation.

Your show will only be as good as the teamwork and communication between you and your first assistant director. They are your most precious partner – because they make your creative plans come to life.

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