Directing Fundamentals. Without a strong vision behind a story, a film will lose its focus. A film director needs to have an understanding of how each department contributes to the making of a film and how to best utilize the talents of all team members. The following 100 LEVEL blogs cover the role and responsibilities of a director in script development, pre-production, production, and post production. Read along to learn how to tell a story cinematically, use the camera as a tool, prepare a script analysis and engage in the casting and rehearsal process with actors.
Finishing production is a major milestone for your film.
A lot of energy and effort has gone into getting your project to this point. The cast and production crew may be finished, but you’re not!
You have miles to go. Buckle up!
Read MoreAfter all the planning, preparation, meetings, auditions, rehearsals, location scouts, etc. – the first day of principle photography is what all the work has been about.
Your script analysis, thumbnail frames, shotlist, schematics, and meetings with your creative keys have helped build the plan for the production.
Pre-thinking performance notes and details are a vital part of the playbook.
Read MoreShow and Tell meetings bring together the various elements of the images you plan to create. They also help you avoid unwanted surprises during principle photography.
Everyone on the filmmaking team wants to deliver their best work. Clear, concise communication and decisive leadership from the director is a must. Effective show and tell meetings begin with the director. Vagueness and uncertainty are not helpful and will likely lead to delays and disappointments on set.
Get all your ducks (and seahorses) in a row!
Read MoreThe right location can improve the look of your film – but it can also be a production nightmare. Make sure to consider your priorities. Know what you need for your frames to look good and for your shoot to run smoothly.
There are certain amenities and necessities to look for when scouting locations – both interiors and exteriors. If a location looks great but lacks the convenience, space, and facilities – protect the downside. Production slowdowns are one thing. Unhappy coworkers are another.
Read MoreIf there is time to rehearse with your actors ahead of the shoot, great! But it’s important to know what you want to accomplish.
There's a rhythm to rehearsal. It’s the rhythm of exploration, of discovery. There is much to gain if you know what you’re looking for. Step into the moment with your actors. Engage as they engage. Learn from them. Watch them like newborn babies.
Rehearsals can be the key to building better performances. Stay relaxed and have fun.
Read MoreThe sound mixer has a challenging job. You can help them by paying attention to their situations, listening to their concerns, and coming up with creative solutions.
Many of the challenges for the sound mixer can be remedied by the director. Problem-solving is part of your job.
Be a champion for good sound! Your audience is listening!
Read MoreWhen you’re crewing up for camera, lighting, sound, makeup, etc., the role of script continuity can be an afterthought.
I recommend finding someone who wants to do script continuity on every film. It’s an important role in longer form television and feature productions. When you get onto a professional set, they will be beside you for every shot.
Value the support they provide, and you will be a better director.
Read MoreThe first assistant director and their team is the engine that keeps your production running. Treat them like gold. They are worth it!
Your best chance at getting good performances from your actors and having an organized shoot that runs smoothy – on time and on budget – is to have an informed assistant director. Planning and managing all the moving parts of a film production and having everything in the right place at the right time is like a paramilitary operation.
Your show will only be as good as the teamwork and communication between you and your first assistant director. They are your most precious partner – because they make your creative plans come to life.
Read MoreAs a film director, the focus in your shot is either something that you want and can use, or it’s something that you don’t want and can’t use.
Be happy with your shots and takes. Make them the best they can be. Once you’re in post-production, focus issues cannot be resolved.
Read MoreAn engaged audience reacts to the director’s choices in every frame. Focus, light, movement, composition, and shot content are factors for every director to consider when constructing a frame.
Ideas for frames grow and multiply through your director’s prep. The writer, John Steinbeck, said it best — 'Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.'
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