Film Directing 112: The Director's Frame

Film Directing 112: The Director's Frame

Good films need intentional frames

An engaged audience reacts to the director’s choices in every frame. Focus, light, movement, composition, and shot content are factors for every director to consider when constructing a frame.

Ideas for frames grow and multiply through your director’s prep. The writer, John Steinbeck, said it best — 'Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.'

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Film Directing 104: Script Analysis II

Film Directing 104: Script Analysis II

Script analysis fundamentals for the writer/director

In film school, more often than not, you will be tasked with writing your own script.

As the writer of the story, you still need to do a script analysis from the director’s perspective. Because of your expectations and writerly knowledge of the story, taking on the role of the director can create its own challenges.

Remember this: you will work just as hard to make a bad film as you will to make a good one. Good films start with a good script.

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