Directing Fundamentals. Without a strong vision behind a story, a film will lose its focus. A film director needs to have an understanding of how each department contributes to the making of a film and how to best utilize the talents of all team members. The following 100 LEVEL blogs cover the role and responsibilities of a director in script development, pre-production, production, and post production. Read along to learn how to tell a story cinematically, use the camera as a tool, prepare a script analysis and engage in the casting and rehearsal process with actors.
As a film director, the focus in your shot is either something that you want and can use, or it’s something that you don’t want and can’t use.
Be happy with your shots and takes. Make them the best they can be. Once you’re in post-production, focus issues cannot be resolved.
Read MoreAn engaged audience reacts to the director’s choices in every frame. Focus, light, movement, composition, and shot content are factors for every director to consider when constructing a frame.
Ideas for frames grow and multiply through your director’s prep. The writer, John Steinbeck, said it best — 'Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.'
Read MoreCamera angles have conventions and implicit meanings that have been understood by viewers from the early days of moving pictures.
Directors need to know the impact of their decisions when they set up a shot. And they need to understand what their audience will understand from their camera angle choice.
Read MoreIn film school, more often than not, you will be tasked with writing your own script.
As the writer of the story, you still need to do a script analysis from the director’s perspective. Because of your expectations and writerly knowledge of the story, taking on the role of the director can create its own challenges.
Remember this: you will work just as hard to make a bad film as you will to make a good one. Good films start with a good script.
Read MoreAs a director you receive a script written in a screenplay format. This is the whole story with all of the scenes and characters. Your job is to turn that into a film.
In order to have a powerful and unique visual interpretation of the screenplay you need to know the story inside out; the characters, the dialogue, the subtext, the conflict, the story arc, the genre — and a thousand more details.
It can be exhausting. That’s why they’re gonna pay you the big bucks!
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