Film Directing 127: Day One

Film Directing 127: Day One

Watch your actors like newborn babies

Your first day on set as a director will undoubtedly be memorable.

Every day of film production requires you to have a plan. The question is: can the scheduled work be completed in the allotted time?

Whatever happens, you’ll walk away knowing a lot more about your actors, yourself, and the challenges of directing.

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Film Directing 123: Show and Tell Meetings

Film Directing 123: Show and Tell Meetings

Keep production running smoothly with no surprises

Show and Tell meetings bring together the various elements of the images you plan to create. They also help you avoid unwanted surprises during principle photography.

Everyone on the filmmaking team wants to deliver their best work. Clear, concise communication and decisive leadership from the director is a must. Effective show and tell meetings begin with the director. Vagueness and uncertainty are not helpful and will likely lead to delays and disappointments on set.

Get all your ducks (and seahorses) in a row!

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Film Directing 116: The Director's Assistant Director

Film Directing 116: The Director's Assistant Director

Treat your Assistant Director like Gold

The first assistant director and their team is the engine that keeps your production running. Treat them like gold. They are worth it!

Your best chance at getting good performances from your actors and having an organized shoot that runs smoothy – on time and on budget – is to have an informed assistant director. Planning and managing all the moving parts of a film production and having everything in the right place at the right time is like a paramilitary operation.

Your show will only be as good as the teamwork and communication between you and your first assistant director. They are your most precious partner – because they make your creative plans come to life.

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Film Directing 112: The Director's Frame

Film Directing 112: The Director's Frame

Good films need intentional frames

An engaged audience reacts to the director’s choices in every frame. Focus, light, movement, composition, and shot content are factors for every director to consider when constructing a frame.

Ideas for frames grow and multiply through your director’s prep. The writer, John Steinbeck, said it best — 'Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.'

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Film Directing 105: Blocking the Scene

Film Directing 105: Blocking the Scene

Blocking fundamentals for the beginning director

“Blocking’s up!” is the announcement you hear on set when the director, director of photography, and actors gather to walk through the dynamics of a scene and how it’s going to be shot. Blocking is essentially the choreography between the actor(s) and the camera.

There can be many moving parts to the blocking puzzle. Everyone who contributes to the shot needs to know what’s in the frame, what’s happening – and when it’s happening.

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Film Directing 103: Script Analysis

Film Directing 103: Script Analysis

Script analysis fundamentals for the beginning director

As a director you receive a script written in a screenplay format. This is the whole story with all of the scenes and characters. Your job is to turn that into a film.

In order to have a powerful and unique visual interpretation of the screenplay you need to know the story inside out; the characters, the dialogue, the subtext, the conflict, the story arc, the genre — and a thousand more details.

It can be exhausting. That’s why they’re gonna pay you the big bucks!

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Film Directing 102: Role of the Director

Film Directing 102: Role of the Director

Managing Creative People

Most film production students are interested in directing, yet there are popular misconceptions about the role of the director.

It appears to many that directors are at the top of the pyramid in the filmmaking process, however, directors are actually employees of the producer. There are professional guidelines and contractual expectations for the job.

The director needs to have a solid understanding of the entire filmmaking process. Are you ready for the challenge?

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Film Directing 101: The Language of Film

Film Directing 101: The Language of Film

The director must know how to communicate

Like any profession, there are specific words, terms, and references that you need to know in order to effectively communicate in the day-to-day activities of a working film director.

This is an expansive area and your knowledge will grow and evolve as you read screenplays, study films, and make films. Like learning any new language, becoming fluent takes time.

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Film Directing 100: LEVEL 100 Introduction

Film Directing 100: LEVEL 100 Introduction

Directing Fundamentals

Without a strong vision behind a story, a film will lose its focus. A film director needs to have an understanding of how each department contributes to the making of a film and how to best utilize the talents of all team members.

The following 100 LEVEL blogs cover the role and responsibilities of a director in the director’s prep, pre-production, and production. Read along to learn how to tell a story cinematically, use the camera as a tool, prepare a script analysis and engage in the casting and rehearsal process with actors.

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