Film Directing 127: Day One

Film Directing 127: Day One

Watch your actors like newborn babies

Your first day on set as a director will undoubtedly be memorable.

Every day of film production requires you to have a plan. The question is: can the scheduled work be completed in the allotted time?

Whatever happens, you’ll walk away knowing a lot more about your actors, yourself, and the challenges of directing.

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Film Directing 125: The Production Meeting

Film Directing 125: The Production Meeting

Gather round, everybody! We are ready to roll!

The production meeting is a review of all the details and moving parts of the production with all of the people involved in the shoot.

There are different ways to approach the meeting but the goal is always the same: to ensure that all departments and all personnel are in the know and ready to go.

This is a leadership moment for the directing team. Make it count!

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Film Directing 123: Show and Tell Meetings

Film Directing 123: Show and Tell Meetings

Keep production running smoothly with no surprises

Show and Tell meetings bring together the various elements of the images you plan to create. They also help you avoid unwanted surprises during principle photography.

Everyone on the filmmaking team wants to deliver their best work. Clear, concise communication and decisive leadership from the director is a must. Effective show and tell meetings begin with the director. Vagueness and uncertainty are not helpful and will likely lead to delays and disappointments on set.

Get all your ducks (and seahorses) in a row!

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Film Directing 122: The Director's Locations

Film Directing 122: The Director's Locations

Give your locations the kid-glove treatment

The right location can improve the look of your film – but it can also be a production nightmare. Make sure to consider your priorities. Know what you need for your frames to look good and for your shoot to run smoothly.

There are certain amenities and necessities to look for when scouting locations – both interiors and exteriors. If a location looks great but lacks the convenience, space, and facilities – protect the downside. Production slowdowns are one thing. Unhappy coworkers are another.

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Film Directing 118: The Director and Continuity

Film Directing 118: The Director and Continuity

Embrace continuity and be a better director

When you’re crewing up for camera, lighting, sound, makeup, etc., the role of script continuity can be an afterthought.

I recommend finding someone who wants to do script continuity on every film. It’s an important role in longer form television and feature productions. When you get onto a professional set, they will be beside you for every shot.

Value the support they provide, and you will be a better director.

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Film Directing 116: The Director's Assistant Director

Film Directing 116: The Director's Assistant Director

Treat your Assistant Director like Gold

The first assistant director and their team is the engine that keeps your production running. Treat them like gold. They are worth it!

Your best chance at getting good performances from your actors and having an organized shoot that runs smoothy – on time and on budget – is to have an informed assistant director. Planning and managing all the moving parts of a film production and having everything in the right place at the right time is like a paramilitary operation.

Your show will only be as good as the teamwork and communication between you and your first assistant director. They are your most precious partner – because they make your creative plans come to life.

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