Film Directing 126: The Director's Playbook

Film Directing 126: The Director's Playbook

Directors need a strong idea for what they’re looking for in every scene

After all the planning, preparation, meetings, auditions, rehearsals, location scouts, etc. – the first day of principle photography is what all the work has been about.

Your script analysis, thumbnail frames, shotlist, schematics, and meetings with your creative keys have helped build the plan for the production.

Pre-thinking performance notes and details are a vital part of the playbook.

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Film Directing 125: The Production Meeting

Film Directing 125: The Production Meeting

Gather round, everybody! We are ready to roll!

The production meeting is a review of all the details and moving parts of the production with all of the people involved in the shoot.

There are different ways to approach the meeting but the goal is always the same: to ensure that all departments and all personnel are in the know and ready to go.

This is a leadership moment for the directing team. Make it count!

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Film Directing 122: The Director's Locations

Film Directing 122: The Director's Locations

Give your locations the kid-glove treatment

The right location can improve the look of your film – but it can also be a production nightmare. Make sure to consider your priorities. Know what you need for your frames to look good and for your shoot to run smoothly.

There are certain amenities and necessities to look for when scouting locations – both interiors and exteriors. If a location looks great but lacks the convenience, space, and facilities – protect the downside. Production slowdowns are one thing. Unhappy coworkers are another.

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Film Directing 121: The Director in Rehearsal

Film Directing 121: The Director in Rehearsal

Treat rehearsal like a fire - Build it slow and sure

If there is time to rehearse with your actors ahead of the shoot, great! But it’s important to know what you want to accomplish.

There's a rhythm to rehearsal. It’s the rhythm of exploration, of discovery. There is much to gain if you know what you’re looking for. Step into the moment with your actors. Engage as they engage. Learn from them. Watch them like newborn babies.

Rehearsals can be the key to building better performances. Stay relaxed and have fun.

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Film Directing 120: The Director-Actor Relationship

Film Directing 120: The Director-Actor Relationship

 Be kind. Be generous. Be specific.

In the book, 21st Century Film Student PRIMER, all students are encouraged to take an acting course or acting workshop so they can better understand what actors do. Why? Because you’ll be a better director.

Memorizing lines, keeping it fresh, staying ‘in the moment,’ and taking direction are tall orders for most people. Once you’ve walked in the actor’s shoes, you can better relate to the process of acting and being directed. 

The craft of directing is an ongoing learning experience.

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Film Directing 118: The Director and Continuity

Film Directing 118: The Director and Continuity

Embrace continuity and be a better director

When you’re crewing up for camera, lighting, sound, makeup, etc., the role of script continuity can be an afterthought.

I recommend finding someone who wants to do script continuity on every film. It’s an important role in longer form television and feature productions. When you get onto a professional set, they will be beside you for every shot.

Value the support they provide, and you will be a better director.

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Film Directing 115: The Director in Casting

Film Directing 115: The Director in Casting

Cast well and 90% of your job is done

The casting process is crucial. Actors can make or break the success of your film and your filmmaking experience. Give it the time it deserves, and give it your all.

Remember this: the audition is the first date in the actor-director relationship. It sets the tone for the creative partnership.

Setting a consistent high bar for each actor’s audition is the best way to tackle this critical juncture. Rule #1: Respect the actors! Respect them as you go through every stage of the process!

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Film Directing 113: The Director's Focus

Film Directing 113: The Director's Focus

The mind of your audience is the main concern

As a film director, the focus in your shot is either something that you want and can use, or it’s something that you don’t want and can’t use.

Be happy with your shots and takes. Make them the best they can be. Once you’re in post-production, focus issues cannot be resolved.

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